| Titre : | The empty museum : Western cultures and the artistic field in modern Japan | | Type de document : | texte imprimé | | Auteurs : | Masaaki Morishita, Auteur | | Editeur : | Aldershot, Hants, England : Ashgate | | Année de publication : | ©2010 | | Importance : | x, 149 pages | | Présentation : | illustrations | | Format : | 24 cm | | ISBN/ISSN/EAN : | 978-0-7546-4954-0 | | Langues : | Anglais (eng) | | Catégories : | 700 Les arts. Beaux-arts et arts décoratifs:708 Galleries, museums, private collections
| | Index. décimale : | 708.952 | | Résumé : | This book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. The author focuses on one of the most distinctive forms of Japanese museums: the 'empty museums' - museums without collections, permanent displays, or curators | | Note de contenu : | This book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. The author focuses on one of the most distinctive forms of Japanese museums: the 'empty museums' - museums without collections, permanent displays, or curators |
The empty museum : Western cultures and the artistic field in modern Japan [texte imprimé] / Masaaki Morishita, Auteur . - Aldershot, Hants, England : Ashgate, ©2010 . - x, 149 pages : illustrations ; 24 cm. ISBN : 978-0-7546-4954-0 Langues : Anglais ( eng) | Catégories : | 700 Les arts. Beaux-arts et arts décoratifs:708 Galleries, museums, private collections
| | Index. décimale : | 708.952 | | Résumé : | This book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. The author focuses on one of the most distinctive forms of Japanese museums: the 'empty museums' - museums without collections, permanent displays, or curators | | Note de contenu : | This book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. The author focuses on one of the most distinctive forms of Japanese museums: the 'empty museums' - museums without collections, permanent displays, or curators |
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